In the tradition of some Merchant/Ivory films...this one deals with very profound social realities for a young woman (Isabelle Adjani)in Paris in the 1920s whose husband is a thief, is jailed. She is left penniless and without means of support (has no working papers). A rather strange English couple (Maggie Smith and Alan Bates) offer her refuge...but at the price of seduction by the husband, tolerated by the artist wife, who is inordinately tied to him emotionally. The young woman's emotional and psychological state is thrown into almost unbearable ambivalance...Love for her husband whom she visits weekly in jail and the need for survival. The film's visual beauty, the lighting, the intensity of color, the evocation of the "jazz age", the cabarets, the authentic costuming, in addition to the splended acting and direction make this a film deserving of far more attention than it's received, in my opinion. A truly cinematic experience of significance.
Drama / Romance
Drama / Romance
It's 1927 Paris. Following the conviction of her art dealer husband, Stephan Zelli (Anthony Higgins), for theft for which he was handed a one-year prison sentence, Marya Zelli (Isabelle Adjani), originally from West India, moves in with her acquaintances, expatriate Brits H.J. (Sir Alan Bates) and Lois Heidler (Dame Maggie Smith). Marya knows that H.J. in particular has more in mind than just providing her lodging out of the goodness of his heart. From behind bars, Stephan encourages Marya to move in with them, not knowing H.J.'s intentions. Marya agrees in part because she, being a foreigner, cannot get work and would thus become destitute otherwise. She learns she is the latest in a long line of lodgers. She also learns that H.J. and Lois' marriage is not all that it appears on the surface. The Heidler's hold on Marya becomes stronger when they convince her that Stephan not only has no money, but has no future in France after his release. Their collective lives become more ...
Uploaded By: FREEMAN
October 08, 2020 at 04:13 PM